Lilly Adams

Designed by Francesco Canovaro and Andrea Tartarelli, Sugo Pro is a sans serif and display sans font family. This typeface has twenty styles and was published by Zetafonts. Download Now Server 1 Download Now Server 2 Download Now Server 3 Sugo Pro is a condensed geometric sans serif with a robust body, slightly rounded corners and no-nonsense street style attitude. The sturdy, robust design of Sugo makes it an ideal choice for sports branding and street-style editorial use. Lighter weights provide great legibility at small sizes while the regular and bold weights are more suited to titling, logo and headlines. It was designed in 2006 by Francesco Canovaro in two weights (regular and extralight) and later used by Cosimo Lorenzo Pancini as base inspiration for the design of the successful Zetafonts’ Cocogoose Pro typeface. In 2018 the family was completely redesigned by A

Designed by Matteo Berton, Berton is a hand drawn font family. This typeface has two styles and was published by Zetafonts. Download Now Server 1 Download Now Server 2 Download Now Server 3 Berton - the third in the Zetafonts Signature artist-designed fonts - was hand drawn by italian illustrator Matteo Berton and lovingly digitized by Zetafonts to be used as main lettering font of the graphic novel “Voyage au Centre de la Terre” edited by La Pasteque, a lavishly illustrated re-telling of the classic Jules Verne tale. Born to complement the artist unique digital painting style, Berton follows the Didot proportions with handmade quirks and differences, made natural by the programmed randomization of three different sets of alphabetic glyphs, to give a consistent and realistic handmade look. The chalky, rough finish is designed mainly for small point text size, to give a natu

Designed by Cosimo Lorenzo Pancini and Andrea Tartarelli, Blacker is a serif and display serif font family. This typeface has twenty-four styles and was published by Zetafonts. Download Now Server 1 Download Now Server 2 Download Now Server 3 Blacker is a wedge serif type family designed by Cosimo Lorenzo Pancini and Andrea Tartarelli as a take on the contemporary “evil serif” genre: typefaces with high contrast, 1970s-evoking proportions and sharp wedge serifs. Design details have been fine-tuned in two subfamilies: the display variant offers tighter kerning, higher contrast and sharper corners for maximum effect at big sizes, while the text variant offers better readability and screen rendering with lower contrast. Each subfamily comes in six weights from light to heavy, with matching true italics, for a full range of editorial and advertising uses. Blacker features a

Designed by Cosimo Lorenzo Pancini and Andrea Tartarelli, DoubleBass is a hand display font family. This typeface has four styles and was published by Zetafonts. Download Now Server 1 Download Now Server 2 Download Now Server 3 DoubleBass is a four weights display type family with a cartoon modern aesthetic, inspired by the film title design of Saul Bass. Its main feature is the programmed switching between two interlocking sets of uppercases resulting in a bouncy visual rhythm. DoubleBass looks great in logos and titling and covers +70 languages including Russian cyrillic. Download DoubleBass Fonts by Zetafonts Download DoubleBass Fonts by Zetafonts Download DoubleBass Fonts by Zetafonts Download DoubleBass Fonts by Zetafonts Download DoubleBass Fonts by Zetafonts Download DoubleBass Fonts by Zetafonts

Designed by Francesco Canovaro, Cosimo Lorenzo Pancini and Andrea Tartarelli, Codec is a sans serif font family. This typeface has forty-four styles and was published by Zetafonts. Download Now Server 1 Download Now Server 2 Download Now Server 3 Codec is a geometric sans serif type system, designed by Cosimo Lorenzo Pancini with Francesco Canovaro and Andrea Tartarelli. Codec provides you with two coherent variant fonts built on the same base skeleton: Codec Cold and Codec Warm. In Codec Cold terminals are always cut parallel or perpendicular to the baseline, emphasizing geometry and giving the typeface a more constructed look. In Codec Warm, on the contrary, open diagonal cuts and two-storey letterforms give the typeface a slightly more humanist look and a gentler, warmer text feeling. Both Codec Cold and Codec Warm come with a wide range of glyphs for language covera